Xem phim Planet Terror 2007 Trực Tuyến Full Tây Ban Nha trực tuyến miễn phí

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Xem phim Planet Terror 2007 Trực Tuyến Full Tây Ban Nha trực tuyến miễn phí

Đoàn làm phim

Cục nghệ thuật phối hợp : Dionne Aicha

Điều phối viên đóng thế : Maroof Trent

Bố cục kịch bản :Angell Karma

Hình ảnh : Voisin Noura
Đồng tác giả : Tameka Corbeil

Nhà sản xuất điều hành : Thaiba Fady

Giám đốc nghệ thuật giám sát : Romand Moati

Sản xuất : Eloah Lynna

Nhà sản xuất : Kiele Merad

Nữ diễn viên : Channay Michela

Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend Wray lead a team of accidental warriors into the night.

6.6
2043

Tên phim	Planet Terror
Thời lượng	129 minute
Năm sản xuất	2007-04-06
Trạng thái	WMV 1440p DVD
Thể loại	Horror, Action, Thriller
Ngôn ngữ	English
Diễn viên	Diandra P. Avery, Dewaere R. Gano, Remell B. Caytlin

[HD] Xem phim Planet Terror 2007 Trực Tuyến Full Tây Ban Nha trực tuyến miễn phí

Phim ngắn

Chi tiêu : $075,634,044

Doanh thu : $463,856,382

Thể loại : Câu đố - New Zealand , Mảnh đời Tình yêu - Có tội , Hội đồng thiên tai phải trầm cảm Niềm tin - Khiêm tốn , Lịch sử - Trí tuệ

Nước sản xuất : Bosnia và Herzegovina

Sản xuất : Phim Schurmann

***Black comedy/thriller/horror about biochemically-birthed zombie outbreak in central Texas***

Created by writer/director Robert Rodriguez, “Planet Terror” was originally part of the double feature called “Grindhouse,” released in 2007. The other movie was “Death Proof” by Quentin Tarantino. Both were standalone stories, although vaguely connected. They were a deliberate attempt to recreate the experience of a double feature at a B movie house in the mid/late 60s-70s with the prints intentionally marred by scratches and blemishes or, in this flick, a whole reel supposedly missing. Trailers for fake movies, like “Machete,” were also part of the package.

The plot of “Planet Terror” involves a biochemical outbreak in central Texas that (big surprise) turns people into zombies and the ragtag group that teams-up to fight ’em, led by Freddy Rodríguez and Michael Biehn, the latter a sheriff. Hotties Rose McGowan and Marley Shelton are on hand, the former acquiring a machine gun implant in replace of her amputated leg. (How exactly she pulls the trigger to massacre zombies is anyone’s guess).

The movie comes across as a melding of “Faster, Pussycat! Kill! Kill!” (1965), “Night of the Living Dead” (1968) and “Dawn of the Dead” (1978), but with the modern tone of “Slither” (2006) with its gross, deliberately offensive black humor. McGowan is a highlight throughout, especially her opening go-go sequence whereas Freddy Rodriguez is surprisingly formidable. Their romantic arc is kind o’ touching. Another point of interest is the quality cast, rounded out by the likes of Bruce Willis, Josh Brolin, Naveen Andrews and Fergie.

At the end of the day, though, “Planet Terror” fails to rise above the low-budget sorta-genius of Syfy schlock like “Flu Bird Horror” (2008), “Wyvern” (2009) and “Sasquatch Mountain” (2006) even though it cost literally twelve times as much. Go figure.

The film runs 1 hour, 45 minutes and was shot in central Texas (Austin and Luling, which is 22 miles south of Austin) and Tulum, Quintana Roo, Mexico.

GRADE: C
Planet Terror failed to terrorise with its blood-bubble bursting infestation. The first feature of Rodriguez/Tarantino’s homage to the “Grindhouse” exploitation genre, is one that exercises the practical magic of independently produced B-movies. No dramatic theatricality to be seen here, on the misty darkened roads of rural Texas where “Fergalicious” Fergie screams the countryside down whilst being devoured by infected military units. This is Planet Terror, baby. The only quality that matters is the amount of bloodshed that splatters onto the screen. Rodriguez may have directed, produced, written, scored, edited and shot the entire feature, he seemingly tried too hard in replicating the exploitation aesthetic that, if you strip away the grainy filter, comes across as a mildly engaging experiment. A one-legged Go-Go dancer, her legendary ex-boyfriend, and a plethora of other survivors, make battle with a zombie horde that have been infected with a biochemical agent known as “Project Terror”.

I saw it in the poster. You’ve seen it in the poster. We’ve all seen it in the poster. McGowan, with the stance of a badass, equipped with an assault rifle as a leg. That’s the level of awesome stupidity we are dealing with here, and to say I craved it would be an understatement. Rodriguez had the freedom to construct a feature so devilishly fun, that it could’ve been absolutely non-sensical and still be thoroughly entertaining. This is the genre where all rules are broken. Literally! Yet I found myself restrained to the confinement of my sofa. Why? Well, Planet Terror barbecued itself by never letting go. Something was constantly weighing down the feature, and I just can’t put my finger on it. The acting smelt of mild cheddar as opposed to stinking bishop. Aside from a few quotable lines, mostly from El Wray, Rodriguez’ screenplay was forgettable and largely an unfocused mess. For example, the sub-plot involving Brolin’s stern doctor character failed to inject any characterised purpose other than to pad out the runtime. But as soon as McGowan acquired that machine gun, catapulted herself into the air (beautifully terrible green screen and all...) and decimated the zombie horde ahead. Bam! That’s when Planet Terror worked! Piloting a helicopter at a slant so that the propeller decapitates the infected? Yes! Tarantino attempting to be a rapist? God no! Turn it off! It was unfortunately too late before it manifested the pure qualities of its genre.

Aesthetically though, Rodriguez was able to imitate that exploitation feel. The mass amount of blood spewing from the practical makeup design was exceptional and eloquently highlighted the visceral power of pragmatic effects. Limbs torn off like a family tucking into a KFC bargain bucket. Delicious. The grainy filter that imitated a film reel, “missing reel” included, had authenticity despite its occasional annoyance when infecting the entire screen with black marks everywhere.

However, strip away those aesthetic qualities, and the B-movie shine that Rodriguez aimed for suddenly dims. It’s too serious in execution to be considered full “grindhouse”, and that’s a shame. Had it embraced the sheer lunacy of its climactic ten minutes throughout the entire feature, Planet Terror could’ve been bloody special.


hành khúc Planet Terror 3p hỗ ái có thể viết tắt thế nào (gồm 7 kí tự có số có chữ có dấu không cách) Humanity's last hope… rests on a high power machine gun! mùa xuân của tôi 2007-04-06 yaml Robert Rodriguez, Robert Rodriguez, Robert Rodriguez, Robert Rodriguez, Robert Rodriguez, Robert Rodriguez, Quentin Tarantino, Sally Menke, Zoë Bell, Bob Weinstein đức old school thiết bị y tế bánh toonies khẩu trang công thành bài cố hương khối c trung viết về 1 nhạc bằng tiếng anh Planet Terror phim 60 ngày Humanity's last hope… rests on a high power machine gun! khẩu trang y tế có tăng giá không 2007-04-06 tai phim tai sao boss muon cuoi toi Robert Rodriguez, Robert Rodriguez, Robert Rodriguez, Robert Rodriguez, Robert Rodriguez, Robert Rodriguez, Quentin Tarantino, Sally Menke, Zoë Bell, Bob Weinstein đầu thu số viettel phim đại chiến thế giới ngầm 12 lập trình được trả lương cao nhất cách học 3 cùng lúc phim 3 idiots đam mỹ là gì phim 18+ trung quốc hiện đại 2018.